What is agency and where does it come from?

The main thing that my research explores is agency. What is agency and where does it come from? How do individuals and groups shape society? How do institutions define “possibility spaces” that become the incentive environments that other institutions and individuals operate within? How can institutions shape a prevailing “common sense” (or “meta-ideology”) that almost everyone subscribes to? When do the resulting “hegemonies” deteriorate, and how do countercultural and dissenting groups and individuals gain agency against the dominant systems and ideologies? And how do dissenting groups lay the ground for future hegemonies by defining their own alternative “possibility spaces”? This series of blog posts seeks to cursorily address these questions by drawing on my theoretical and historical research.

This post addresses the first of these questions:

What is agency and where does it come from?

There are a variety of theoretical approaches to agency.

Systems theory approaches agency as a relational phenomenon that emerges from the interactions within a system rather than something that solely belongs to individuals. In this view, agency is less about individual choice or autonomous decision-making and more about how individuals are embedded within larger networks of influence and feedback loops. Systems theorists consider agency to be an emergent property, meaning it arises from the complex interactions and interdependencies within a system. No single part of the system "has" agency in isolation; rather, it emerges from the ways in which the parts interact and respond to each other. Systems theory also observes that systems interact with external environments, which influence their function and behavior.

Similarly, Actor-Network Theory (ANT) attributes agency not only to human actors but also to non-human entities (like objects, technologies, and even abstract concepts). This perspective moves away from seeing agency solely as a human trait, instead framing it as an emergent property of interactions within networks. In this framework, agency is not located within individuals or objects alone but is distributed across networks. This means that actions are seen as the product of a network of relationships rather than the result of any single actor's intentions or capacities. Both human and non-human actors are "actants" in this web of influence, contributing to the capacity to act. According to ANT, a bridge, a computer system, or a social norm can "act" in a way that shapes human behavior or changes outcomes. This does not imply that objects have intentions like humans, but rather that they can affect change through their role and properties within the network. ANT suggests that both actors and their capacities to act are products of networks. Thus, what an actor "is" and what they "do" are defined by the network they are part of. This perspective implies that changing the configuration of a network changes the agencies of the actors within it.

Immanuel Wallerstein applies much of this abstract theoretical insight within his analysis of what he calls “world systems”—the structural forces that shape social systems on a global scale. His perspective on agency is rooted in his understanding of capitalism as a world-system that operates according to specific economic, political, and social logics, constraining certain individual and collective actions, and amplifying others. He sees capitalism as a global system that reproduces certain power relations and economic disparities, primarily through mechanisms like core-periphery relations, economic-historical cycles, and hegemonic cultural shifts. According to Wallerstein, the world-system is highly resilient and resistant to fundamental change, because it self-regulates and has a strong momentum in its tendencies and directions of development, accumulation and deterioration. Drawing on Antonio Gramsci’s concept of cultural hegemony, Wallerstein is skeptical about human agency. For him, most historical actors are "agents of structure"—their actions are often responses to structural pressures rather than purely autonomous choices. However, Wallerstein does acknowledge that actors can exercise some level of agency, especially during periods of systemic crisis or transition. He posits that these "structural crises" are moments when the rigidity of the world-system weakens, creating a temporary openness to change. During these times, human agency has more influence as actors can pursue alternative paths, challenging or even restructuring aspects of the system.

These structural crises are an inherent part of the expansion of global capitalism, which proceeds within "systemic cycles of accumulation," as the economic historian Giovanni Arrighi argues in his book The Long Twentieth Century. Drawing on world-systems analysis and on the work of social and economic historians from the French Annales School, Arrighi explores the history of capitalism by examining how global economic power has shifted across four main cycles, each centered on a different hegemonic state or region: Genoa, the Netherlands, Britain, and the United States. Arrighi argues that each cycle consists of an initial expansion phase, characterized by economic growth and productive capital investment, followed by a financial phase, marked by the dominance of speculative finance over production as economic returns decline. This shift from production to finance ultimately leads to instability, economic crises, and a new center of capital accumulation. According to Arrighi, the current period of economic crisis and instability, which has been reigned over by a “neoliberal” ideology of free trade, deregulation, and a breakdown of social welfare and social institutions, is part of the inevitable shift in the center of capitalist accumulation from the United States to China. Yet, unlike previous shifts, it is accompanied by new constraints, crises, and opportunities, arising from the global nature of the economy. For one thing, there is no remaining societal frontier to colonize and incorporate as part of the expanding capitalist economy. Furthermore, humanity faces unprecedented ecological and environmental crises, with climate change, mass extinction and pollution threatening to severely compromise humanity’s ability to inhabit the planet. In addition to this, new technologies—particularly the Internet, microcomputing, artificial intelligence, and blockchain—threaten the foundations of classical economics, and offer an opportunity to overcome the private ownership of capital while maintaining the dynamism and feedback mechanisms of markets. Finally, there is an ever-growing class of over-educated, under-utilized, and individualistic citizens in post-industrial societies, and these people pose a threat to the maintenance of undemocratic political and economic institutions. All of these factors threaten the smooth reproduction of the capitalist world system and could potentially facilitate major structural shifts in that system.

The particular direction that this change goes is difficult to predict, but the metemodernist political thinker Hanzi Freinacht offers a compelling framework for thinking about it—and for conceptualizing agency within the current world-historical situation. Hanzi, drawing in the ontology of Gilles Deleuze, presents a philosophical realism that accounts not only for the actually-existing, but also for the potentiality of likely future developments. As Hanzi puts it, “dev­elop­ments in the present in certain ways are pulled towards the unrea­li­zed potentials of the future. What happens in the present is namely just as much a result of what has been as what can become.” The way to increase your agency, then, is to analyze historical trends and to locate the ebbing and flowing tides of social, cultural, political, economic an technological change—information that Hanzi calls “attractors.” Attractors, in Hanzi’s definition, are patterns or equilibria “that under certain conditions [are] very likely to emerge and stab­ilize within a dyna­mical system, such as a society.” By identifying attractors, individuals, groups and institutions can enhance their agency, moving with, rather than against, the currents of history. While Hanzi acknowledges that “[t]he world is a chaotic place and the future is never predetermined,” he insists that “on the general level, some things are just more likely to happen than others, and some are very likely to happen.” https://metamoderna.org/attractors-the-guiding-stars-of-historys-winners/

The Metaverse Must Be a Pluriverse

In the past few years, there have been major advances in the development of VR (virtual reality) and AR/XR (augmented reality/mixed reality) headsets and glasses. Especially with Apple’s entry into the headset market, and Meta’s progress in developing viable AR glasses, more and more people are beginning to embrace the idea that an altogether new, and more immersive way of interfacing with our technology is right around the corner. This comes on the heels of Facebook’s rebranding as “Meta”—they insist that they no longer are a social media company, but a “metaverse” company. This announcement drew ire—especially from people who are skeptical about big technology companies. However justifiable people’s skepticism about big technology companies is, it would be foolish to reject the concept of the metaverse altogether.

As a number of writers have pointed out, the “metaverse”—the spatialization of digital information and experiences—holds out quite a utopian potential for humanity. By offering a digital sphere in which people can enact their fantasies, build, create, explore and interact without the need for vast amounts of energy or materials, and with few limitations, virtual reality could be the medium within which human beings create some of their greatest and most profound creative expressions and experiences. On the other hand, it could just become an extension of our flawed society—a more effective medium to control and manipulate people with. How can the metaverse be something other than a dystopian extension of social media and a numbing psychological escape from a deteriorating planet and devolving society?

Something I’ve been contemplating a lot lately is the question of how the concept of the metaverse relates to the concept of the pluriverse.

As you’ll likely be aware by now, the concept of the metaverse is fundamentally about the way that digital environments are becoming increasingly immersive—both in terms of their spatial and temporal omnipresence in our lives, and in terms of the ever-advancing interfaces that we use to connect access consoles (Internet-connected devices) to our sensory organs.

The pluriverse is a concept that describes a world composed of many worlds, where many different ontologies (or concepts about and ways of being) are able to coexist. Drawing inspiration especially from the many traditional and indigenous cultures whose ways of being are/were flattened in the twin processes of modernization and industrialization, many advocates of the pluriverse seek to restore “vernacular wisdoms” as a solution to the ecological and sociological crises of that modernization and industrialization process. For advocates of the pluriverse, these vernacular wisdoms should be used to create many worlds, rather than a single, homogeneous one. As the Zapatistas put it, “Queremos un mundo donde quepan muchos mundos” (“We want a world where many worlds fit”).

Generally, those who embrace the idea of the pluriverse are completely disinterested in the promises or politics of the metaverse. The advocates of the metaverse generally position its rise as an apotheosis point of economic and technological development, wherein computers facilitate the rise of some ultimate frictionless, limitless human experience. For them, development can only be a great thing, since it brings about the technological capabilities to create this digital paradise. In contrast, the concept of the pluriverse, deriving as it does from “degrowth” and anti-globalization political discourses, tends to eschew economic and technological development as pathways to many forms of what Ivan Illich termed “modernized poverty,” denoting a slavish dependency on an abusive economy.

Personally, I think that these beliefs are both wrong, in a way. Something that neither viewpoint tends to consider is that perhaps there are—and indeed ought to be—alternative modalities of development. The metaverse’s optimists don’t seem to be realistic about the self-destructive flaws of an economic system that is both crisis-ridden and materially polarizing—tendencies that may ultimately threaten and altogether undermine our ability to create a functioning and sustainable digital utopia.

As anyone familiar with the various fictional depictions of the metaverse (and here I’m thinking of “Ready Player One” and “Snow Crash”) will be aware, the context for the rise of the metaverse concept in these depictions is one of massive economic and political failure and catastrophe. In these stories, the metaverse becomes a digital substitute for a ruined real world. To escape the curtailed freedoms and enjoyment of a world riddled with pollution, overpopulation, dysfunctional economies, and overbearing (and/or corrupt/ineffectual) governments, people seek refuge in a kind of digital oasis of infinite possibility. The point here is that the metaverse, as a concept, has a complex relationship to development. In the first place, the metaverse requires the overcoming of immense engineering hurdles: ubiquitous access to technology; equally widespread high-speed connectivity; massive computational power; the invention, production, and distribution of interfaces that create a fully immersive user experience; and the presumed leisure time to spend inside of a digital reality. And yet, the fictional context of the metaverse is, if anything, one of “overdevelopment.”

As for the pluriversal pessimists, they tend to be a bit too down on development, as if its outcome can only spell extinction and destruction. Marx—who many don’t realize was quite the accelerationist—thought that the utopia of communism could only be reached after a long slog through capitalist development, which would have severe consequences for those who endured the transitional stage. But the transition would not be a smooth, linear one; it would involve crisis and revolution, as an economically-faltering capitalist economy systematically failed to unlock the very prosperity and utopian potentials that it itself made possible. Development, for Marx, was both necessary and insufficient. At some point, political struggle needed to intervene in the process of economic development.

Perhaps an effective way to conceptualize development is in infrastructural terms. Infrastructures change our environments in ways that are simultaneously alienating and empowering. A key dimension of this is the way that infrastructures free us from needing to think or worry about details and logistics that preoccupied cultures that preceded these infrastructures. We don’t often think about the way that terraforming and medical innovations and various grids and networks compose a sort of “second nature” that raises the overall “floor” of human existence by pushing once-insurmountable problems to the peripheries of our consciousness. “Civilization advances by extending the number of important operations which we can perform without thinking,“ the philosopher Alfred North Whitehead claimed. Once a generation of problems are solved, they drop from both our consciousness, and from our aspirational dreams, appearing as a pre-given world within which we move on to bigger and better problems and aspirations. As Sigfried Giedion put it, “Dreams lose their fascination when frozen into naturalistic terms.” When these things work well, we tend to take them for granted.

Something that the pluriverse framework seeks is the freedom of autonomy. Yet autonomy, as Benjamin Bratton insists, must be reconceptualized in infrastructural terms. “[A]utonomy,” he tells us in his book on terraforming, “is less about free will than what aspects of action can be done without full deliberation or even without choice.” The routinization of tedium that used to dominate our consciousness; the taken-for-granted safety and security of worlds and spaces that once were terrorized by disease and/or conflict and/or famine is nothing to be sniffed at. We stand on the largely invisible, infrastructural shoulders of giants. Indeed, our very species, Bratton insists, “is the result of its co-evolution with its ancient automated landscapes.“

This infrastructural way of thinking about development suggests that humans can remake their world(s) in progressive and positive ways. Development can be the process whereby this floor is raised—and it needn’t necessarily involve economic “growth” or exploitation, even if it has tended to do so within our current political economy. I don’t imagine anyone actually begrudges the raising of the “floor”; they begrudge the side effects and externalities deriving from this process. But perhaps the former doesn’t necessarily require the latter.

Before thinking a bit more about how to reconcile these differences over the status of modernity and development, we should explore the many resonances between the pluriverse and the metaverse. Both valorize the plurality and immateriality that we see haphazardly emerging in our world and in our culture.

Plurality is something we all already experience, both culturally and psychologically. Globalization, for all its flaws, has done a lot to accelerate multiculturalism (in the developed “centers” of global capitalism anyway), bringing people from all over the world into regular contact with each other. With the rise of the Internet, we also are increasingly aware of what is occurring in other places, and, despite social media “bubbles,” we are also frequently made to encounter people who are very different from us. As our national cultures—which were always merely partial anyway—dissolve into a vast array of subcultures, our own localities (perhaps even out own families) become increasingly pluralistic, for better (diversity) and for worse (fragmentation and polarization).

This cultural plurality is mirrored in our psychological existences. We increasingly inhabit a highly partitioned digital existence, which takes place in a variety of “containers”—often apps and websites—which hybridize with our physical settings. We all know the experience of carrying on an intimate conversation—perhaps even multiple—while simultaneously navigating transit or an in-person social experience. We also all know the frustrations of distractions—the fragmentation of our own continuity of experience, and that of those in our proximity. Yet, there is something deeply rich and dynamic about connectivity, and switching rapidly between containers of experience and relationality.

I think that the pluriverse should be something that we demand from any putative metaverse. If it’s not a pluriverse—in the sense of empowering multiple ontologies to thrive—then it’s not actually a metaverse. Perhaps by seeking to hybridize metaversal and pluriversal theories and political aspirations, we can begin to imagine alternative forms of development and modernity. An indeed, this is precisely what I think that political metamodernism is doing (though the key authors of this concept are not framing their thinking in terms of its relationship to the metaverse or the pluriverse).

Advocates and theorists of the pluriverse emphasize the importance of the idea of “conviviality”—the virtuous outcome of an operative political philosophy that does not require economic growth to produce prosperity, since prosperity is reimagined in immaterial terms of flourishing social and cultural dynamics and the shared life and joy that these are able to create.

This immateriality has a parallel in the metaverse. At its most utopian, the metaverse promises to valorize immaterial goods such as connection, expression, and experience, rather than remaining tied to material accumulation. Granted, in its more dystopian modality, the metaverse is imagined as a place where material inequalities and hierarchies are reproduced symbolically, through the unnecessarily exclusive ownership of digital assets such as NFTs and cryprographically-secure online “real estate.” Yet, even here, immateriality ultimately reigns. As Andre Gorz pointed out in his final book on the immaterial, perhaps capitalism’s final act will be the desperate (and ultimately fruitless) accumulation of symbols and knowledge, before sharing, zero-cost exchange, and infinite reproducibility render it obsolete once and for all—a prospect that becomes far more likely in a world where culture and sociality occur in the “metaverse.” In this context, while new hierarchies and modes of exclusion are likely to emerge, there is likely to be far more space for social and cultural life to unfold unhindered.

In order to truly be “meta,” the metaverse must actually empower the vast majority of human realities, cultural logics, and practices. It must operate as a kind of grid, or substrate that hosts and powers these many worlds. An important requirement of this meta-infrastructure is that it must be accessible and sustainable, which requires that the cultures and worlds that it hosts must not seek to destroy it or impede others from accessing it. The fictional political metamodernist Hanzi Freinacht, drawing on the “open society” concept of Karl Popper, explains that a functioning metamodernist society can only tolerate cultures that are themselves tolerant of other cultures.

This version of political metamodernism aspires to create a “trans-culturalism” that is simultaneously in favor of societal development and wellbeing while avoiding totalizing and stifling cultural homogeneity. A crucial part of this is establishing a minimum set of rights and duties for all cultures—particularly the demand that they not prevent individuals or other cultures from enjoying full access to the diverse offerings of trans-cultural, metamodern life itself. And what makes this possible is that the underlying political, economic, and cultural infrastructure of metamodernism acts as a kind of enabling/empowering substrate that guarantees material and psychological wellbeing.

In terms of the pluriversal metaverse, the the meta and the plural should keep one another accountable in a productive tension. On the meta side, there should be a guarantee that users—whether they are individuals or groups—be guaranteed the ability to create worlds and partake in cultures, so long as these worlds and cultures do not affect the ability of others to do the same. This is how the “meta” harmonizes the “plural.” And at the same time, the plurality must demand its right to build and inhabit worlds—to have what Arturo Escobar calls “design autonomy”: a full panoply of “tools, interactions, contexts, and languages” that facilitate the creation of ontologies and their worlds. This would constitute an unprecedented degree of freedom. This is the accountability that the plural demands of the meta.

If we demand that the metaverse be a pluriverse, might that demand extend to the physical world as well? In other words, perhaps the many worlds of a pluriversal metaverse would spill out of digital space and into physical space, constituting a new kind of built environment. We already see immaterial logics completely reshaping physical geographies, from data-directed movement patterns to algorithmically-designed spaces and sensor-controlled environmental parameters. Could the metaverse become a new routing switch to physical spaces and places in the analog world? If the pluriversal metaverse contains countless, interwoven “worlds,” perhaps an analog layer of this metaverse would involve a tapestry of different geographical realities; a maze of many urbanisms and their metabolic processes.

Most of the universe is empty space. What’s rare is density and complexity. If one of the things that makes a metaverse (or indeed any human creation) worthwhile is its complexity, then perhaps our goal as a society should then be to build worlds that contain practices that are extremely unique and intense. Places of 24/7 activity; thriving subcultures; profoundly customized rituals and emotional experiences. This is the polyvalent futurism that I believe a pluriversal metaverse can produce.

Prompt for Imagining the Post-Work City

The following is a prompt delivered at the beginning of a design charrette, where we invited participants to brainstorm and design visions (whether designs, art, or writing) imagining what cities could be like in a pos-work world. The charette was part of a larger project called Imagining the Post-Work Future (in collaboration with Andra Bria), which arose out of a blog post I wrote a few years ago on the topic.

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We invite you to imagine and design art and design projects and proposals that envison what cities could be like in a world where we no longer have to work in order to sustain ourselves.

Cities of industry: Such a prospect demands a total rethinking of the existing spatial organization of society, since contemporary cities are designed with one particular universal in mind: the pervasiveness of work. Work has not only dominated our political imaginaries (from so-called “right to work” policies, to political platforms of “job creation,” economic security has tended to be unquestioningly tied to employment), but also the very landscapes in which we live our lives.

Idleness”: Of course, at the heart of this spatial question is the matter of time: The way people spend time in a society fundamentally shapes the forms and functions that the city must take on and perform. In their present form, cities are plagued with a paradoxical combination of stressful and existentially challenging ways of experiencing time. On the one hand, you have so-called “idleness” among the unemployed and underemployed. This is for those in our society who have lots of time, but no money, and therefore no way of accessing the pay-to-play pleasures of leisure, or paid employment. If you have lots of time and no money, the metropolis is a hollow, cold series of streets, bounded by impenetrable facades, fences, walls and windows.

“Hyper-busy”: On the other hand, many people have money, but no time. Rushing from job to job, chore to chore, task to task, social event to social event; with no time to really play and explore. Drowning in an “attention economy,” that competes for headspace and emotional bandwidth, those with money but no time tend to superficially traverse the city in Lyfts and Ubers—a big, gridded series of transit corridors, stations and airports.

The pandemic: Recently, however, there has been a major interruption to our usual flows. Between economic turmoil, the pandemic’s forcing of “non-essential workers” to stay at home, I think many of us have really been relating to time and space quite differently. And in this disruptive moment, I think it’s so telling that so many people with money and the flexibility to work remotely have opted to leave the city to go roleplay rural lifestyles in remote Airbnbs. The cities aren’t worth their time. But the pandemic has also caused many of us to wake up to the fact that the ideology of perpetual work is itself inherently flawed; that shoveling our living hours into the furnace of production is no way to live!

Technology and economic crisis: Of course, major changes have been taking shape well before the pandemic, and continue to take shape alongside the pandemic. As Andra mentioned, there are the technological innovations in artificial intelligence, low-cost networked sensors, and robotics, and all sorts of innovations in fabrication techniques. These offer the utopian potential of making the marginal cost of goods waaay lower, while at the same time threatening a dystopia of mass unemployment. At the same time, there has been a prolonged economic stagnation for large swaths of the population in de-industrializing, developed countries. For many people, the recession of 2008 had barely ended when the pandemic struck, and now it looks like we face another recession.

Universal basic income: In the face of these changes, there has been increasing interest in policies such as universal basic income as a means of ensuring the economic welfare of all people. The idea is not new, but suddenly it’s becoming a mainstream idea. Cynically, a universal basic income could just be a modest check that doesn’t make up for widespread loss of employment, or the cutting of public services. Not offering enough to live on, it could just prolong the current economic experiment with capitalism, by propping it up and easing the severity of its systemic failures. At their most pragmatic, such proposals imagine themselves as a mere “leg up” to help people to gain the prerequisite qualifications necessary to become useful in the formal employment economy, as well as a stimulus injection to that economy.

Fully-Automated Luxury Gay Space Communism: But such proposals also have a radical utopian dimension that begs the question of what society could be like if all production was automated, the material abundance produced was equitably distributed, and nobody worked (in the employment sense) at all. Here, everyone would be paid a living income, no matter what, meaning that nobody would need to work, whether they were unable, or just didn’t want to. Certain socialist thinkers have theorized such a society for almost a century, and there has been a recent bout of literature on the topic, and the evocative handle “Fully-Automated Luxury Gay Space Communism.” (if you want to read up on this literature, here are some places to start: Aaron Bastani, Fully-Automated Luxury Communism: A Manifesto; Kristin Ross, Communal Luxury: The Political Imaginary of the Paris Commune, "Chapter 2: Communal Luxury" [the last half of the chapter is the best bit]; Steven Shaviro, No Speed Limit: Three Essays on Accelerationism, "Chapter 3: Parasites on the Body of Capital"; Peter Frase, Four Futures: Life After Capitalism, "Chapter 1: Communism: Equality and Abundance"; it is also worth checking out the Situationist artist Constant's utopian urban city design "New Babylon," and some of the writing about it, which tried to picture a world of no work and all play.)

But what about the post-work city? And yet, as this political possibility is contemplated by more and more people, there has been no significant discussion of the way that our built environments would have to change to accommodate this change in the way that we spend our time, effort, and attention. What could cities be like, if you and I and everyone else weren’t working (or expected to work) all the time? We think this is a profound question to ask, and one that demands a lot of imagination. Today’s design and imagineering charrette is about exploring this possibility.

Aspirations guide behavior: Before we dive into some of the themes and prompts that can perhaps guide our imaginations in this charrette, I want to say something about the power of design, imagination, and envisioning alternatives to the current reality. Much of what we do is oriented by a desired future as its endpoint. Generally, this is a culturally-produced idea of the “good life” that serves as an aspirational compass for present decisions. In my country, this guiding vision has, for the last century or so, been the idea of the “American Dream”—a suburban consumer paradise built around the nuclear family, individual wealth and career success. This vision continues to determine so much of how Americans behave on a daily basis, from their educational choices, to their financial choices, to their romantic choices. So many behaviors are oriented by the goal of the American Dream.

From futurism to nostalgia: And yet, this vision is beginning to crumble. The belief that hard work will pay off, and lead to the American Dream is proving to b an illusion for millions and millions of people. Increasingly, this dream appears not on the horizon, but in the rear-view mirror. As Svetlana Boym says in her brilliant 2001 book, “The twentieth century began with a futuristic utopia and ended with nostalgia.” Increasingly, we speak of “returns”—on the right, there’s a nostalgia for a previously “great” America, and on the left, there is a nostalgia for the Keynesian economic policies of the New Deal and the Great Society. Both are backwards-looking, and both are delusional. There’s no going back.

Architects of the future: The engineer and futurist Buckminster Fuller famously said that “We are called to be architects of the future, not its victims.” With this charette, we hope to turn boldly toward the future, to imagine what cities could be like, precisely in order to update the aspirational visions that people use to orient their everyday actions. Here, we invite you to engage in what Carlo Ratti and Matthew Claudel call “futurecraft”—positing future scenarios, entertaining their consequences, and sharing these ideas widely to enable public conversation, debate, and imagination. Here, perhaps the discipline of “future studies” can serve as a guide, which explores not just technological innovation, but social innovation. It’s crucial to remember that while we may shape our cities, they, too, shape us. An architect of the future must therefore constantly be prepared to imagine not only how our cities and spaces can be different, but also how we, as the people living in them, can be different. How might daily life, relationships, aesthetics, life ambitions change, in a different built environment? How might we cease to be human in the familiar sense, and become post-human? Of course, we’re always already cyborgs; our tools are extensions of us, and we are extensions of our tools, with no rigorous way to think about one without the other. But when our tools become environments, we tend to start perceiving the dynamics that they encourage as nature. All of this is to say: in your explorations, we hope you won’t just design for the naturalized person of today—the inhabitant of industrious, work-oriented built environments. We hope you will design for a humanity that could be.

Prompts

There are a number of dimensions that one might consider when they imagine what the post-work city could be like. We have written a prompt for these dimensions. They are as follows:


Public spaces: What kinds of public spaces might exist in the place of offices and factories and stores that currently dominate the landscapes of our downtowns and central districts? What facilities and attractions might exist to occupy the time freed from work? How might people interact with the forms and functions of the city, and determine its uses?

Housing: What kinds of dwellings would people have in such a world? Would people even continue to have “homes,” in the traditional sense, or might they drift—either from fixed place to fixed place, or else become sort of “urban hunter-gatherers,” eating, sleeping, playing, etc., entirely in public spaces, never claiming these spaces as their own, because the entirety of urban space has become a “benevolent machine” that provides all of the material necessities, functionality, safety, comfort, and entertainment that the home once did?

Regional distribution of the population: Economic opportunity has been the key driver behind migration and settlement throughout history, and has been the primary determining factor behind why human settlements are located where they are. How would a non-work world alter the geographical distribution of humans? Would certain regions depopulate, and others grow? Would existing cities dissipate, as people became free of the economic tethers of employment binding them there, and sought to live in smaller conurbations and rural settings? On the other hand, would society perhaps move its entire population into concentrated megacities, as rural and peri-urban production ceased to require human involvement?

Infrastructure: How might infrastructure work in such a world? How, especially, would people and goods move around, and for what new purposes, for not for work and commerce? How might automated and de-commodified distribution infrastructures function? Would there be pilotless drone deliveries, pick-up points, and driverless ground transportation, as is already developing now? Or might a population freed from the time constraints of employment return to simpler methods of transportation and brick & mortar “shopping” for goods and necessities? What, moreover, might be done with the vast existing infrastructures of work and human-powered production (offices, factories, etc.). 

Institutions: How might institutions function differently, and what kinds of formal/spatial conditions might this call for? How, for example, might education function in a post-work world where education no longer must be rushed into the early years of one’s life, to make time for work? How might the city accommodate alternative educational practices, perhaps with students of diverse ages and backgrounds? How might healthcare function? Government?

Care, friendship and socialization: A world without work is likely to be a world with more rich, complex, and considered social interaction. What might social spaces be like in such a world? How might people spend time together, meet new people, seek entertainment, conduct their sexual lives, etc., and what kinds of places might accommodate these activities? How would care (either supportive care for children, the elderly, the disabled, etc., and/or everyday care between people) function in a world where nobody has to work? What kinds of spaces might be set aside for these various types of care?

Time: How would time function in a society freed from work? Would we all continue to sleep primarily at night, and to move around during the day? Or would there be new kinds of nocturnal worlds, new kinds of 24-hour spaces, new explorations of what is possible and desirable at night? Relatedly, how might cities and their spaces relate to seasons differently? How, for example, might activities and spaces be designed to relate to seasonal changes in weather, climate and lighting conditions, where the productive city sought to defy these changes in order to keep the wheels of commerce moving? Might the city come to resemble seasonal resorts? Or might cities be altogether abandoned for a nomadic migration between seasonal resorts? At the scale of a lifetime, how might the removal of work lead to a reconfiguration of the way one organizes their lifespan—with career concerns typically dominating this organization—and how might this change the kinds of activities that cities are designed around (schools and play spaces for children, workplaces and entertainment-oriented leisure for adults, and eldercare and retirement activities for the elderly, etc.)?

Energy, food and waste/urban metabolisms: How might the organic metabolism of the city work in a post-work world? How would people participate in the capturing and use of energy? How might the interrelated management of food supply and waste be handled? Would humans become more or less involved in the capturing of energy, the production of their food and/or the disposal of their waste?

Creativity and aesthetics: Would there be a coherent or consistent aesthetic to the post-work city? How might art, design, music, and other forms of creative practice and production be accommodated? Might creativity shape and reshape the city on an ongoing basis?

The Dimensions of Social and Emotional Ecology

I have been thinking and speaking for a long time about “emotional ecology,” which refers to the way that care, sex, trust, etc. in one’s social life are distributed. The concept really crystallized for me as I began having “alternative” (non-monogamous) sexual relationships, and started living communally, and found that this altered my emotional needs, and the way that I invested in friendships, and showed up for, and participated in new relationships—both sexual and non-sexual. It’s a rather obvious point, but the relationships one has are impacted by the other relationships they have, and the composition and distribution of emotional connections within that set of relationships is a complex series of balanced and interrelated parts—like an ecosystem. If a close friend dies or moves away, or a sexual partner drifts or gets more busy, it affects one’s needs and availability in ways that affect one’s other relationships. Some emotional resources are relatively unlimited (or at least in abundance), while others are more finite and/or limited (time being a prime example). Here, I consider some of the dimensions of emotional ecology—mostly to map out my thought on the subject, and to offer a framework for others to begin thinking about and using the concept.

Emotions are historically and culturally contingent

In the first place, it must be said: emotions are not fixed or universal. Too often, we rely on rigid biological explanations for our desires and emotional responses to things, when, as the burgeoning field of emotional history brings into the foreground, though, our emotions are historically variable, and contingent on changes in culture, politics, economics, and other factors. While there may be immutable instincts, the actual expression of instincts changes across time and space. The field of affect theory explores this distinction, when it investigates how affects and emotions are not the same thing. As some affect theorists posit (though there’s still some debate about this), while affects may be “pre-discursive” (or, unshaped by culture), emotions certainly are shaped by cultural narratives and forces. In other words, I might immediately feel a lurch of feeling when I see my brother for the first time in over a year, but the emotion I have around that feeling is shaped by the meaning I give to my brother, to our relationship, to his status as a man in our culture, to social norms and conventions around masculine affection, etc. The history of emotions traces the way that feelings have been given meaning and expression in different cultures, in different places, at different times.

Because our emotions are historically contingent, the concrete form our relationships take is also contingent. The idea of a “girlfriend,” or a “mom” or a “sugar daddy” or a “friend with benefits” is made up. We invent genres for relating to one another in order to streamline communication, solidify and shore up social expectations and norms, and often to achieve various personal or societal goals. But just because these relationship genres are clear and recognizable does not mean that they are fixed, immutable categories that cannot be changed.

Social ecologies as the basis for emotional ecologies

We tend to think of relationships quite individualistically, often asking people about their preferences and ideals. But people’s desires and ideals are often shaped by what is available to them in their social milieu. Here, relationship genres shift from being immanent, freely-chosen behaviors, to transcendent, imposed institutions—and this belies the idea that preferences and ideals are purely a matter of individual choice. If you’re the “only gay in the village” (as the Little Britain skit jokes), this is going to hamper your prospects for living your ideals. Perhaps even more importantly, if you’re only one of two “gays in the village,” the preferences, ideals, and expectations of the other gay person will likely influence (if not altogether define) the way you think about and express your desires. Scaling up and out, if all of the people you’re potentially interested in sexually are holding out for marriage, then marriage will likely dominate your imagination about how and when sex happens, and may even lead you to see marriage as your ideal. This is how social ecology tends to structure emotional ecology, since emotions are often relational.

One of the things I have discovered from living in intentional communities—especially communal living environments—where community members are surrounded by numerous strong and enduring bonds, frequent social contact, and a relative surfeit of sexual opportunities, is that one’s desire and availability for other relationships in the wider world morphs. I often hear from people (and I felt this way myself), that they suddenly feel like they have more compatibility issues with people in social and romantic relationships, since there is a mismatch between the other person’s underlying bed of social and sexual relationships and their own. Coming from a dense and supportive social ecology, the communal resident’s social, sexual and emotional needs are often slighter than the standard person on Tinder, or friend from the office. To their friend, the communal resident comes across as confident, independent, and perhaps even a bit blasé, but their apparent independence is a direct result of their interdependence with a resilient group of friends, housemates and partners—and this can be perceived good thing or a bad thing. On the one hand, confidence and independence are often viewed as attractive—they signal that a person has a good life and won’t become codependent or clingy. On the other hand, in a world where many social relationships are coercive and/or secured by the threat of loneliness (reinforced by the social desolation of much of contemporary life), the person with a robust and resilient social and emotional ecology can represent a threat; they don’t need you, and will be ok if your relationship ends. If your usual dating/friendship strategy relies upon the gravity of fear/insecurity, this can be a dealbreaker.

On the flip side, to the communal resident, the person with fewer social ties can seem overly needy and/or clingy and/or jealous (in a negative interpretation), or refreshingly loyal, conveniently available, and highly invested (in a positive interpretation). Here, different social ecologies can cause compatibility issues, or they can offer different and perhaps complimentary virtues.

What’s interesting about this is that it offers a means by which people can think about—and transform—their relationships in a holistic manner. By changing the overall composition of their social ecology, they can strategically alter the kinds of relationships they have. The only barrier is: it takes a village—specifically, one with other “gays”.

Social ecology and identity

By embedding oneself in different social and emotional ecologies, one can change their role and identity in the world.

To return to the personally-familiar example of communal living, what one finds is that behaviors are able to be disaggregated from the normative relationship genres that tend to bundle them into predefined types. One can have sex with a partner without being a “boyfriend” or a “girlfriend;” one can bring in financial resources to support others without being a traditional “breadwinner,” or birth and care for a child without being a “mom.” Indeed, within such a context, many of the most important cultural markers of gender cease to have relevance. Life timelines also cease to be rigidly defined, as shared resources and an abundance of care and love relieve come of the social and financial pressures to build a traditional “career” or fit oneself to one of the standard founder roles of the nuclear family.

At the same time, altering one’s social and emotional ecology and/or identity can be alienating. Widespread cultural tropes cease to have purchase or personal resonance; stigmas and stereotypes—designed to motivate people to be (re)productive in our post-industrial society—can be applied to those who don’t conform themselves; social horizons and opportunities can be limited because it’s difficult to find compatible people to fit into a non-standard social/emotional ecology; one can also feel “unseen,” as they slip out of the normative modes of cultural intelligibility (of which gender is a very powerful one), etc.

Nevertheless, as Lauren Berlant insists, “It is a time for using the impasse that we’re in to learn something about how to imagine better economies of intimacy and labor.”  It seems that, as the rewards for playing by the existing norms diminish, there are many who are exploring alternatives, and therefore, there are likely to be growing pools of people who emote, love, identify, and see in new ways, by virtue of the fact that they are arranging the ecology of their relationships differently.

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Why Is Academic Language So Inaccessible?

I recently had a friend express her frustration about the inaccessibility of academic language and academic writing. My friend is not alone. In “The Needless Complexity of Academic Writing” written by Victoria Clayton in The Atlantic, there has been a growing cacophony of voices calling for an end to “opaque writing.” Clayton cites what she sees as an especially egregious example, from Barbara Vinken’s Flaubert Postsecular: Modernity Crossed Out, which reads as follows:

The work of the text is to literalize the signifiers of the first encounter, dismantling the ideal as an idol. In this literalization, the idolatrous deception of the first moment becomes readable. The ideal will reveal itself to be an idol. Step by step, the ideal is pursued by a devouring doppelganger, tearing apart all transcendence. This de-idealization follows the path of reification, or, to invoke Augustine, the path of carnalization of the spiritual. Rhetorically, this is effected through literalization. A Sentimental Education does little more than elaborate the progressive literalization of the Annunciation.

No doubt having been exposed to writing resembling that above, my friend (who is a talented podcaster whose public-facing work demands clear language) asked me (a PhD student in the humanities and social sciences): “Why is academia like this? Why must the language be so inaccessible to most of the world?” As a highly interdisciplinary scholar, I strongly empathize with the question, as well as the frustration. Each time I follow a footnote into some new niche of historiographic, theoretical, social-scientific, or philosophical discourse and struggle to get my bearings, I am reminded of Jean-François Lyotard’s argument, in The Postmodern Condition, that the accumulated knowledge of contemporary civilization is far too vast to be knowable by one person (for Lyotard, postmodernism is not some voluntary abandonment of truth, but a societal condition created by modernity’s surplus of truth—I’ll post more on this in the future). The fact is that we have researched, in depth and detail, a vast amount of subjects, and in doing so, we have had to develop some very precise methodologies and terminologies to both investigate and describe what’s there. These investigations have generally been undertaken by, and reported upon within extremely niche subfields of specialists. Within these specialist circles, technical and theoretical jargon has facilitated precise as well as succinct communication about findings and methodologies. Rather than having to explain context and use long-winded descriptive terminology for a concept, specialists can rapidly use a jargon term like Barbara Vinkin does above, when she speaks of “the progressive literalization of the Annunciation.” Ideally, scholars will define their terms during the course of their argument or report on their findings, but, over time, a subfield may begin to have an internally universal understanding of a particular word, such that it ceases to be defined within the specialist literature. As Cass Sunstein insists in an article entitled “In Praise of Jargon,” while academics may write “in ways that many general readers would find obscure,” this is because such writing “has precision, shorthand, and nuance that cannot be captured in ordinary language.” Sunstein insists that this type of writing should not be mistaken for, or judged in the same way as, non-academic writing. Yet the academic humanities and social sciences tend to receive a disproportionate amount of scorn on account of the complexity of their academic writing. When we smear academics for writing in “turgid” language, it is always this side of the academy that we are referring to. Nobody is out there making fun of mathematicians for writing inaccessibly, or for their “opaque” equations. If anything, their complexity appears elegant—perhaps even decorative—to the untrained observer. Indeed, some of this scorn comes from so-called “hard” scientists themselves, who scoff at the idea that investigations of art, politics, culture or social patterns would warrant levels of abstraction or sophistication that rival those used in the investigation of the laws of physics or molecular biology. Characteristic of this scorn is that offered by Steven Pinker in his book The Blank Slate, where he trots out a particularly wordy passage by Judith Butler and lauds the decision by the “annual Bad Writing Contest, which ‘celebrates the most stylistically lamentable passages found in scholarly books and articles’” to award Butler first place in 1998. {415} On the other hand, Pinker celebrates “scientific” research, and even goes so far as to suggest that “evolutionary psychology and cognitive science [should] reestablish human nature at the center of any understanding of the arts.” {417} Setting aside for a moment Pinker’s nefarious attempt to colonize other fields with knowledge from his own, there is a blatant asymmetry between the way that we are apt to judge humanities and social science writing versus that of the “hard sciences.” This is because there is no obvious distinction between the “primary research” of the former fields and their final output.

For the academic who writes for highly specialized audiences, the question might legitimately be posed: what is the relevance of this work? What does it change? What does it contribute? All too often, the academic considers their job done once their article or book hits the press (a claim that is somewhat justifiable in some fields, such as history, where we write books that are at least theoretically addressed to the history-reading public). Yet, in my view, this is not good enough. While you might only be paid and assessed on the basis of your specialized academic output, one should also seek to be a “translator” of their own work for less specialized audiences. I often think about something that the infamous street artist Banksy said in an interview once, that he will produce two sculptures—one to sell and cover the cost of materials for both, and the other to illegally install somewhere public—a strategy that he wittily refers to as “buy one, get one free.” For some time now, I have been preoccupied with the question of how academics might translate—or even produce—their work to broader audiences, perhaps by writing non-academic books that offer the same arguments as their academic works, but in more accessible language, and with speculation of how the ideas might be applied. Such an academic “buy one, get one free” could lead not only to a broader appreciation of academic work, but a deeper understanding, on the part of the public, of the many complex and important concepts that academics contribute to human knowledge.

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Now, back to the arrogance of someone like Steven Pinker seeking to castigate that which he obviously does not understand in a field that is distant from his own. We have to contextualize his critique—as well as the academic writing that has attracted such ire from him and others—as occurring in a moment that is experiencing a simultaneous (and interrelated) education bubble and an attack on higher education. As participants in the debate about academic language have pointed out, it is difficult to disentangle condemnations or defenses of academic language from the broader struggle over the role, meaning and scale of higher education in our society, as higher education is being defunded, subjected to nefarious and counterproductive competition (where sports, buildings and recreation facilities are valued over academic excellence) and disciplined by a growing army of managerial administrators. Even the hilariously-named “Shit Academics Write” Tumblr site has recently highlighted the importance of these interrelated crises of higher education (citing how “universities run on disposable scholars,” that universities over-admit students, resulting in a situation where “40 percent of recent Ph.D. graduates had no employment commitments [after graduating],” etc.). And much of this pressure has been disproportionately applied to arts, humanities and social science departments, who are viewed, through the “neoliberal” lens of market justification and economic rationality to be superfluous for the establishment of careers, and therefore disposable.

Under these conditions, it may be worthwhile to imagine new ways to produce work outside of the academy. I have made the case for such scholarship here, but I’ll write a blog post about this at some point in the future.

Covidiots and Looters (or, nostalgia for "good citizens")

Over the past decade, social media has been awash with all manner of selfishness-bashing. . . . What these condemnations miss is the extent to which the social contract that is meant to bind us in solidarity with one another has been deteriorated by decades of awful policy, failure to solve persistent problems, and the state’s abnegation of its duties to its citizens. . . . In a society where corruption, exploitation and inequality are rife, and where selfishness is handsomely rewarded, bad citizens are precisely what you’d expect. . . . Citizenship becomes an extractive, exploitative prospect, rather than a mutually-beneficial contract freely chosen.

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Consent and Beyond

Consent is obviously extremely important. I would never want to live in a world without it, and I don’t think any of us would. The critique I have of consent is not an attempt to get rid of it, but rather an attempt to theorize frameworks that we need in addition to consent, so that our sexual communities can be safe, inclusive, and just. We cannot do have safety, inclusivity or justice without interrogating and changing what we want, and therefore any framework that relies solely on our currently-existing preferences will be inadequate. We have to change what we want as a culture. My claims here are not intended as a guide for how individuals should ethically behave. Part of the problem with consent as a framework is its over-reliance on individuals to behave ethically, rather than looking, at the collective level, at how sex and power operate. Correspondingly, the critiques of consent cannot just imagine themselves as having implications for individuals. We need to change our culture—change how our culture excludes, and puts social pressure on us to enthusiastically consent to (or request) certain things and not others, with certain people and not others. As a consequence, our sexual choices often reproduce systemic exclusions, problematic social categories, and antiquated norms.

Various commentators have questioned the validity and/or efficacy of consent as a holistic ethical framework concerning sex. Some radical feminists have claimed that true consent is impossible under structural conditions of power imbalance (and these are highly pervasive in our society), while others have observed that consent fails to call into question the way that power relations frequently inform the very things we want and choose, and that consent fails to address how our very choices may be deeply racist, classist, sexist, ableist and/or otherwise exclusionary. Recently, Amia Srinivasan—a philosophy professor at Oxford—has observed how consent culture has tended to justify and reinforce what people already want, even when those things are racist, classist, sexist, homophobic, ableist, etc. 

There is a long, troubling history of how powerful governments, elite social classes, and other top-down institutions set about to shape sexual preferences in the nineteenth and twentieth centuries, and these practices were pretty much a ubiquitous aspect of the development of industrial, colonial powers. What you had were all kinds of stratifications based upon race, class, gender of course, and sex—both measurements of people’s “self-control” and constructions of people’s sexual desirability—was used as a mechanism for making and maintaining these distinctions. For example, black men were stereotyped as being sexually unrestrained, and were persecuted based on the anxiety that they posed a threat to white women’s purity. Women have been policed in their sexual behaviors, and pressured to behave as if they lacked sexual desires, and deviation from these behaviors have been pathologized as “unfeminine.” Anti-miscegenation laws made it a crime for people to engage in mixed-race sex and partnership, and decades of stigma have brought sexual policing to the level of peer-pressure and self-enforcement. And these regulations, pressures, roles and stereotypes went on to inform our sexual desires and sensibilities. It’s no coincidence that much of the stuff that people feel comfortable (or enthusiastic) about corresponds with policed social roles, categories and hierarchies. We have a gendered, racialized and classed “political economy” of sex, where certain people are thought to be the pinnacle of beauty and desirability, while many others are lower down in the sexual hierarchy. We also have highly gendered expectations about who does the asking and who does the permission-granting, and this also highly limits our ability to venture out from socially-scripted roles and scenarios.

So the problem with consent is really part of a bigger problem in a culturally-manipulated democracy, where, in the words of Noam Chomsky, consent is manufactured by the powerful. Too often, free choice is not a reflection of radical autonomy, but of top-down structures that produce our subjective preferences and means of evaluating choices and experiences.

The result isn’t just unjust, but also very limiting for the chooser. When we insist that all sexual behavior should be pre-negotiated and enthusiastically consented to from the outset, we run the risk of confining people to doing the same stuff in an endless pleasure loop with the diminishing returns of desensitization. Of course, done well, consent practices can make people feel *more* open to trying new things because they feel safe and listened to, and we shouldn’t ignore this fact. But approached uncritically, the dictate that we always enthusiastically consent to everything may mean for many, many people that they are prevented from trying things that they’re a bit unsure about, or don’t know if they’ll enjoy. Instead of exploring new things, enthusiastic consent can be used as justification for endlessly exploiting what you already know, and most sex-positive people know that this doesn’t necessarily lead to a fun or satisfying sex life. Perhaps, then, in addition to consent (not instead of it), we need a culture that empowers people to try new things and to experiment. Experimentation doesn’t always lead to nice discoveries, but sometimes it does, and so ideally we can forge a consent culture that makes room for both safety/comfort, and also exploration.

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Are Shitty Men Really the Problem?

Don’t get me wrong; I’m as bummed out about bro-ish, selfish, stereotypical dude bros as anyone else. We clearly have a culture that incentivizes men to behave in all kinds of horrible ways. But there is a danger that our frustration with bad behavior has displaced structural critique, and threatened to replace societal transformation with social behavior policing. When our grievances with the gender system become framed as a "shitty men" problem, the solution goes from queer and feminist revolution to an embrace of social conservatism. This is because “shitty men” are too easily understood from the perspective of the system of patriarchal social norms. The problem is not the gender system that assigns roles and creates antagonisms between the genders; it is the failure of one of the genders—namely, men—to live up to the norms. Norms go from being the problem to being the solution, because the problem is diagnosed as male deviation from norms. It is therefore not only possible, but rather essential, in my view, to eschew man-blaming *as* feminists.

I've been thinking a bunch about it in my historical work, where I've been grappling with the ways that women have often been pressured and coerced into embracing and reinforcing the very systems that oppress them. I've been reading queer and third-wave feminist theories that have analyzed the ways that women's pain and frustration is culturally channeled into non-threatening (to the system of patriarchy) avenues of grievances that actually threaten to reproduce the very system that produced their structural oppression. Lauren Berlant calls this the "female complaint": within capitalist "women's culture," women are encouraged, among other things, to experience the pain of their sexual oppression as relationship disappointment, rather than as their subjection within structures such as monogamy and socially-enforced sexual passivity. Rather than questioning these structures, they're inclined to blame the men in their lives for not playing fairly or living up to the norms of these institutions. Monogamy and enforced passivity cease to appear as sources of oppression here, and begin to appear as *solutions* to relationship disappointment, as the diagnosed problem correspondingly shifts from structures of oppression to "shitty men."

"No Scrubs": Deconstructing the WWI "Slacker," Sexual Manipulation and Gendered Power

Today, I'm thinking about the parallels between the World War I construction of the "slacker" (a man who wouldn't enlist to go fight in the war) and today's much-maligned lazy/unsuccessful male (typified by the 1999 TLC song "No Scrubs"). In my current dissertation project, I'm exploring the social construction of sexual desirability criteria, and the way that sexual desirability has been attached to conformity, productivity and risk/bravery/wealth accumulation—in other words, the way that sex has been used to influence behavior, and to pull weight in society. This, to follow Foucault, is not the same thing as sexual repression, but rather, the exploitation of the conditions of sexual opportunity, through the attribution of sexual desirability to certain qualities, behaviors and roles, and the promise of sexual fulfillment if one fulfills their social duties. Militaries, commercial institutions and political blocs have used sex as a tool for achieving their various goals, and the capitalist consumer economy of the post-WWI world has relied heavily on the social conditioning of sexual desirability to sell products and to motivate work and other productive behaviors.

The converse of desirability has tended to be stigma—particularly the stigmatization of those who do not play a normatively productive role, which is precisely the logic behind the concepts of the slacker and the scrub. In both cases, female sexual reciprocation is meant to be the reward for being productive/successful, and a clear message is broadcast that the man who shirks his responsibilities can't "get no lovin'."Anyway, these stigmatized social constructions offer a deeper perspective on the idea of "assertive modesty," whereby women are empowered specifically to say no--but not empowered in other, more meaningful ways. Before they were even granted the right to vote, women (and, perhaps more importantly, images of women) were conscripted to enforce social norms. What's interesting about this strategy is that it does not rely on women being pure, in the traditional sense of being covered up and shuttered away where they will not provoke temptation. Instead, it encourages women to come out into the public; to provoke desire; to entice and allure, but only in order to motivate conformity, hard work, and, in wartime, the risk of life and limb in order to gain access to women's sexuality and care. Historians have looked upon the period beginning in the 1920s as one of sexual liberation, but I see this recent stretch of history as being one of sexual economy, where sex was more available, it is true, but only to those who performed society's demanded gender roles.

As I’ve written about elsewhere, the 20th century witnessed the mass proliferation of what might be called “parasexuality“—a type of sexuality that “in which a person (or persons) commands the sexual desire of many without reciprocating that desire.“ This is the sexuality of the celebrity, the stage performer, and the fashion model. This type of sexuality, which stimulates (or, you might say, mass-produces) desire, without the fulfillment of the desired-for experience, has proven extremely valuable for both military and commercial purposes. Whereas the military uses sex to boost enlistment, and then motivates their sexually-frustrated troops to fight harder on behalf of the “woman you left behind,“ as I claim elsewhere, “[m]arketing rouses desire and entices engagement, while simultaneously associating that desire with products and services.“

My analysis of this phenomenon links two seemingly disparate struggles within one problematic. On the one hand, many post-liberal feminist thinkers have pointed out the shallow ways in which women’s empowerment under patriarchal capitalism has been, at best an empty gesture, and at worst women’s self-exploitation. At the same time, men’s rights advocates have insisted that the “manipulated man“ has been sent to do the dangerous, dirty work of society on the promise that he would be rewarded for his efforts. The primary thing I’m aiming to show with my research is that these claims are both quite true, but with the caveat that it is not men or women as some unified class exploiting the other sex; rather, there have been commercial and governmental institutions that have been quite invested in producing and exploiting gendered cultures of desirability in order to increase efficacy, power and wealth for the capitalist class. While individual men and women may benefit locally from their participation in, compliance, and perpetuation of this system, their interests as a whole are severely undermined.

Social Media and Post-Authenticity

What is the status of authenticity in the age of social media? I recently witnessed a small group of young tourists march onto a beach, stand by the water and take pictures of themselves appearing to have a good time, then leave immediately after--presumably off to another photo op. I myself have, at times, been more compelled by the images of my experiences—and what they convey about me, and the life I live—than the experiences themselves. I hear from other people that they feel the same to varying degrees. At what point does the act of representation surpass the act being represented? How much of our motivation for doing things—for doing anything at all—comes from the social validation we believe we’ll get when we tell others about it? When was the last time you did something amazing or important or accomplished something that you didn’t tell anyone about? (It’s been a long time for me!)

Perhaps this is nothing new (my observation of it certainly isn’t). For a long time, architectural critics have remarked on the fact that glossy design magazines like Dwell have incentivized architects to design photogenic architecture, whose actual experiential qualities leave much to be desired (I have a theory that this current in architecture has resulted in a dearth of small, dark, and/or labyrinthine architectural designs, because these do not photograph well--though we'll see whether 360º photographs change this). It is difficult to imagine the rise of spacious (vacuous?), minimalist architecture without photography, whose muse it has always been. (Perhaps for this reason, it is fitting that the iPhone is minimalist in design: the device that has encouraged everyone to make their lives more photogenic is itself designed to be quite photogenic.)

I wonder, though, if there’s a radical or progressive side of this accelerating experience modeling? Might our fictions about the lives we’re living and the experiences we’re having actually inspire the authentic pursuit of more intentional and/or experimental living? Can fictions inspire yet-unrealized realities? Can there be a kind of left-accelerationist desire creation machine that uses social media to generate post-capitalist, post-human, post-scarcity realities?

Becoming-Feminist: Consciousness-Raising and Social Ecology

“To be a feminist, one first has to become one.” This is one of the opening sentences of Sandra Lee Bartky’s seminal essay on feminist consciousness. (1) In the early days of gay liberation and second-wave feminism, it was generally understood that we—people living in advanced industrial societies, with their deeply-rooted norms—had internalized many of the oppressive values of those societies. If we were going to change the world, therefore, we were going to have to change ourselves in the process. For this reason, the gay liberation and women’s movements practiced what they called “consciousness-raising,” in which members of a community—whether this was a commune or an activist circle or the office workers who staffed the Gay Liberation Front office—gathered together and intentionally set out to reshape their views, emotional dispositions, and desires in order to become more compassionate, fair, revolutionary, etc. Yet this practice has faded out over the decades, as people have become increasingly wary of having their outlooks and desires questioned.

Since the simultaneous success and failure of the struggles of the 1960s, a prevailing cultural impulse has been the unapologetic valorization of one’s desires. This hedonistic appropriation of the rhetoric of liberation has been a boon to consumer capitalism, which continually molds and capitalizes on our desires. According to Amia Srinivasan, there are deep questions that must be asked about the politics of desire in our culture, yet contemporary feminism tends to skirt this issue. Perhaps out of a reaction to the moralizing of certain radical feminists in the 1970s and 80s, contemporary feminists have grown wary of questioning women’s choices—especially their sexual choices. Implicit in this rejection of critically evaluating outlooks and desires is the notion that one’s desires, ambitions, etc. must be the correct ones by virtue of their host’s belonging to a particular identity group. The problem with this is that tends to neglect the highly political formation of desire. Moreover, it fails to take into account the fact that oppressed and/or subjugated people are capable of effectuating further oppression and subjugation upon others. Therefore, according to Srinivasan, in failing to question one’s desires and outlooks, the non-self-critical political stance "risks covering not only for misogyny, but for racism, ableism, transphobia, and every other oppressive system that makes its way into the bedroom through the seemingly innocuous mechanism of ‘personal preference’.” (2)

Consciousness-raising, in the gay and women’s movements, began with the assumption that the personal is political. For the participants in these movements, if the personal is political, then the terrain of political struggle extends into oneself. “For many feminists,” Bartky reports, “this involves the experience of a profound personal transformation, an experience which goes far beyond that sphere of human activity we regard ordinarily as ‘political.’” Such a struggle involved a sometimes total transformation. According to Bartky, “the feminist changes her behavior: She makes new friends; she responds differently to people and events; her habits of consumption change; sometimes she alters her living arrangements or, more dramatically, her whole style of life.” (3)

Consciousness-raising groups resemble what Michel Foucault referred to as “local centers of power-knowledge,” in which “different forms of discourse—self-examination, questionings, admissions, interpretations, interviews” operate as a “vehicle of a kind of incessant back-and-forth movement” that produces both knowledge and subjectivity. (4) In the Preface to Deleuze and Guattari’s Anti-Oedipus, Foucault emphasized the importance, in any political struggle, of forensically locating and excising the “inner fascist” that one develops in their engagement with power, and a major theme in Anti-Oedipus is the “micropolitical” struggle with internalized political and economic regimes at the psychological level.

Often, we hear commentary about the malleability of human beings. What we hear less often is the extent to which human plasticity is most apparent in social and collective settings. Consciousness-raising was highly effective because it sought, through “self-examination, questionings, admissions, interpretations, interviews,” etc. to produce new subjects in collective settings. Consciousness-raising groups in the Gay Liberation Front would invite “each individual [to talk] about his or her individual experience of oppression, growing up, coming out, etc.,” and in doing so, “a general pattern could be discerned, and so a cognitive leap could take place in the minds of the group. They would then come to see the oppression of gay people as part of the general gender system of our society, with common features despite individual idiosyncracies.” (5) Drawing from the experiences and desires of individuals, the consciousness-raising group would attempt to produce a new intellectual, emotional, social, and sexual ecology whose imperatives would then, if all went according to plan, become internalized by the individuals. The group would seek to generate radical solidarity and new kinds of interrelation and, ultimately, desiring, based on the aggregate experiences and desires of those present. Within these settings, imbalances, scarcities, power dynamics, surpluses and deficits could be identified and reworked. 

Yet this practice was difficult, and yielded different levels of reward for its differently-positioned participants. The benefits of participating in a collective project of reworking sexual desires would be less clear-cut for a person privileged by the undisturbed operation of social and sexual hierarchies, for example. At a certain point, the participants in both the women’s and the gay liberation movements began to recognize distinct and diverging interests, and, gradually, self-sorted into distinct, stratified identity groups (with middle-class gay men over here, radical separatist lesbians over there, and the Marxist-feminists over there). In these self-isolated communal settings, narrow concerns produced shallow and ineffective political practices that could not build a broad or comprehensive political movement, nor offer workable emotional, social or sexual ecologies with the power to challenge the normative mainstream. (6)

Here, I do not believe that the failure was consciousness-raising, but the allure of empowerment—not together, but separate. Rather than doing the hard work of cultivating new selves in response to the complex desires and resources and experiences of a broadening collective, the gay and women’s liberation movements of the 1970s eventually succumbed to desires they already had. Is there any reason to believe that our generation will be able to do better? Perhaps a first step in ensuring that we do would be to revive the fundamental ethos of collective consciousness-raising, and to use this as a tool in remaking our desires, and, in the process, remaking ourselves and our world.


Notes:

(1) Sandra Lee Bartky, Femininity and Domination (New York: Routledge, 1990), 11.

(2) Amia Srinivasan, “Does anyone have the right to sex?,” London Review of Books, Vol. 40, No. 6 (March 22, 2018), 5-10.

(3) Bartky, 11.

(4) Michel Foucault, The History of Sexuality, Volume I: An Introduction, trans. Robert Hurley (New York: Vintage Books, 1990), 98.

(5) Aubrey Walter, Come Together: The Years of Gay Liberation, 1970-73 (London: Gay Men's Press, 1980), 18.

(6) See my 2018 MPhil dissertation: “‘Engaged Withdrawal:’ Communal Living and Queer Spatial Politics in London’s Gay Liberation Front, 1971-1974” (University of Cambridge, master’s dissertation, 2018) https://www.academia.edu/37273032/_Engaged_Withdrawal_Communal_Living_and_Queer_Spatial_Politics_in_London_s_Gay_Liberation_Front_1971-1974.